Russian-American Mezzo-Soprano Mariya Kaganskaya recently created the role of Teacher in the Santa Fe Opera’s world premiere production of The (R)evolution of Steve Jobs, the recording of which earned the GRAMMY Award for Best Opera Recording. For Florida Grand Opera, she has performed Cherubino in Le nozze di Figaro, Charlotte (cover)/Käthchen in Werther, Paula in Florencia en el Amazonas, Page in Salome, and Mrs. Rockefeller/Natalia in Frida. She recently performed Tisbe in La Cenerentola, Suzuki in Madama Butterfly, and Third Wood Sprite in Rusalka at Arizona Opera

Ms. Kaganskaya's appearances in the 2021-22 Season include premiering the role of Rowan in We Wear the Sea Like a Coat with Opera Ithaca, Beppe in L'amico Fritz with Teatro Grattacielo, and a debut as the Mezzo soloist in Prokofiev's Alexander Nevsky cantata. She recently made virtual debuts with Opera Ithaca, Baltimore Concert Opera, Bronx Opera, and PROJECT [BLANK], and became the first US-based artist available for virtual gig booking on Lockdown Presents.

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Other recent roles include Olga in Eugene Onegin, Hostess in Boris Godunov, Marta in Iolanta, Dorabella in Così fan tutte, Ottavia in L’incoronazione di Poppea, the title role of Serse, La Nourrice in Milhaud's Médée, Mexican Woman in A Streetcar Named Desire, Dinah in Trouble in Tahiti, and Julia Bertram in Mansfield Park​. Recent oratorio credits include performances as the Mezzo soloist in Mozart’s Coronation Mass, Rossini’s Petite Messe Solennelle, and Handel’s Messiah.

 

Ms. Kaganskaya’s training includes residencies with the Santa Fe Opera, Arizona Opera, Florida Grand Opera, Opera Santa Barbara, and the iSing International Festival in China. She is an alumna of the OperaWorks Advanced Artist Program and the Russian Opera Workshop at the Academy of Vocal Arts, and earned her MM and PGD at the San Francisco Conservatory of Music, under the tutelage of Catherine Cook.

 

Her recent awards include First Place in the Lois Alba Aria Competition, the Los Angeles International Liszt Competition, the St. Petersburg Opera Guild Competition, the Gershwin International Music Competition, the Pacific Musical Society Competition, and both the Eastern and Southeastern Region of the NATS Artist Awards; Second Place in the Henry and Maria Holt Memorial Competition; Third Place in the Edward M. Murray International Competition of Voice, the Grand Junction Symphony Orchestra Young Artist Competition, and the East Bay Opera League Competition. She is a Winner of the most recent Bel Canto Vocal Scholarship Foundation Competition and the inaugural Butler Opera International Competition, as well as the Pasadena Opera Guild Competition and the San Francisco District of the Metropolitan Opera National Council Auditions, and the recipient of Encouragement Awards from the James Toland Vocal Arts Competition, the Pasadena Vocal Competition, and the Western Region of the Metropolitan Opera National Council.

Ms. Kaganskaya is represented by Piper Artists Management