Russian-American Mezzo-Soprano Mariya Kaganskaya completed the 2016-17 Season as a Marion Roose Pullin Studio Artist at Arizona Opera, where she appeared as Tisbe (La Cenerentola), Suzuki (Madama Butterfly), and Third Wood Sprite (Rusalka). In Summer 2017, she returns as a second-year Apprentice Singer to the Santa Fe Opera, where she will premiere the role of Teacher in The (R)evolution of Steve Jobs and cover the role of Amelfa in The Golden Cockerel. In the 2017-18 Season, she joins the Young Artist Program at Florida Grand Opera, where she will perform the roles of Page (Salome) and Paula (Florencia en el Amazonas).
A former Mosher Studio Artist at Opera Santa Barbara and Young Artist at the iSing International Festival, as well as an alumna of the OperaWorks Advanced Artist Program and the Russian Opera Workshop at the Academy of Vocal Arts, Mariya most recently performed roles including Hostess (Boris Godunov, New Opera NYC and The Santa Fe Opera Apprentice Scenes), Marta (Iolanta, New Opera NYC), La Nourrice (Médée, Mills Music Now/Opera Parallèle), Mexican Woman (A Streetcar Named Desire, Opera Santa Barbara), and Olga (Eugene Onegin, Russian Opera Workshop), as well as Dorabella (Così fan tutte), Ottavia (L’incoronazione di Poppea), Dinah (Trouble in Tahiti), Julia Bertram (Mansfield Park), Mystery, Summer, Chinese Man, and Mopsa (The Fairy Queen), and the title role of Serse at the San Francisco Conservatory of Music, where she earned her MM (’15) and PGD (’16) under the tutelage of Catherine Cook.
In addition to opera, Mariya is a frequent concert soloist, most recently performing the Alto soli in Rossini’s Petite Messe Solennelle with the Santa Clara Chorale and Mozart’s Coronation Mass with the San Francisco Master Chorale. She has also been a featured soloist with the Shanghai Symphony Orchestra and the Shanghai Philharmonic, as well as in the Arizona Opera Sapphire Celebration with Frederica von Stade.
Mariya enjoys collaborating with living composers, and has worked in master classes with Lembit Beecher and Tobias Picker and premiered works by Ilya Demutsky, Philip Skaller, Diarmid Flatley, Samara Rice, and Frank S. Li. Most notably, she enjoys a longstanding collaboration with acclaimed composer Elinor Armer.
Mariya’s recent awards include: Jacqueline Polk Young Artist Award, Orpheus Vocal Competition (2017), Minnesota District Encouragement Award, Metropolitan Opera National Council Auditions (2017), Young Artist Award, Pasadena Opera Guild (2016), Ellie Silver Award, Holt Competition (2016), Third Place, East Bay Opera League Competition (2016), San Francisco District Winner and Western Regional Encouragement Award, Metropolitan Opera National Council Auditions (2015), and First Place/Lotfi Mansouri Award, Pacific Musical Society Competition (2014).